Many of the other new features Exponential Audio have added in R4 are housed in an editing page called Warp, which can be bypassed to conserve CPU resources if you don’t need its palette of sound-mangling options. Depending on what sort of filter type you select, these new modulation features run the gamut from barely audible shimmer to obvious cyclical swirling effects, and it’s often surprising how much modulation you can introduce before it becomes noticeable in the context of a mix.
#VALHALLA VINTAGE REVERB NOT SHOWING UP MOD#
The rate at which the modulating LFOs move is set using Early and Late Rate controls in the Chorus tab, and if you’re using the new Hall 2 algorithm, you’ll also see Density Rate and Mod parameters here. This has something of the character of phasing and flanging, but is more subtle, and doesn’t undermine the core sound of the reverb in the same way. As a result, it’s now possible to independently modulate the EQ bands wired into the early reflections and tail, and using a slow LFO to move a notch filter up and down within the tail turns out to be a very neat way of introducing movement into the sound. R2 already featured a useful selection of modulation features, and in R4, these have been extended. The usefulness of a notch filter in this context might seem questionable until you investigate some of the presets that employ one. So, although there’s no parametric equalisation, and it isn’t possible to apply separate high- and low-pass filter curves at the same point in the chain, you can achieve much the same results more quickly by applying a band-pass filter with a broad Q setting. Each of these offers an identical selection of high-pass, low-pass, band-pass and notch filters, and each is hard-wired to a particular section of the algorithm: respectively, the input signal, the early reflections and the tail. That new and improved EQ section now features three bands.
![valhalla vintage reverb not showing up valhalla vintage reverb not showing up](https://files.renoise.com/forum/uploads/7016-renoise-valhalla-reverb-auto-suspend.png)
And that’s not all: he’s also added a dynamics processor and an overdrive, an additional Hall algorithm, the ability to synchronise pre-delay and reverb delay to host tempo, a gate, and a new ‘tail suppression circuit’, which enables some interesting ducking effects. Michael Carnes has addressed this restriction in R4, and in doing so, has turned the EQ section into a powerful creative tool.
![valhalla vintage reverb not showing up valhalla vintage reverb not showing up](https://images-puremix.akamaized.net/cache/pmmodalimages/images/interface/images_articles/2020_07_06_vocoder/fig_3_540%20_auto%20.jpg)
On The MoveĬompared with standard algorithmic reverbs, the R2 feature set was lacking only in one area: it offered only a single band of EQ.
#VALHALLA VINTAGE REVERB NOT SHOWING UP FOR MAC OS#
Like all of the company’s products, it’s available for Mac OS and Windows in all the usual native formats, and is authorised using the iLok system. Nimbus is, at heart, a souped-up PhoenixVerb, while the latest release is R4, a development of R2 which takes its basic concept to new places. Since R2 and PhoenixVerb were reviewed in SOS March 2014, Exponential have been building on them to create another, more versatile pair of algorithmic reverbs. These complement one another nicely, with R2 offering a little ‘vintage digital’ character to contrast with PhoenixVerb’s cleaner and more modern sound.
![valhalla vintage reverb not showing up valhalla vintage reverb not showing up](https://caulixtla.com/jp-08/VVV/Canyon.png)
Instead, the focus is on creating artificial reverberation that just works in a mix, and my own mixes have certainly benefitted from the attentions of their R2 and PhoenixVerb plug-ins. In the classic Lexicon tradition, they don’t generate perfect simulations of real acoustic spaces, or minutely detailed recreations of some hallowed EMT plate. Exponential Audio have hot-rodded their ‘character’ reverb, and the results are even more characterful!įounded by former Lexicon engineer Michael Carnes, Exponential Audio offer a range of algorithmic reverb plug-ins to suit most uses and pockets.